Julia Llerena’s works involves the artist’s body through the collection of found objects, whose scale rarely excedes that of the hand. It also involves the viewer’s body that, due to the blunt shapes of those objects and their immersive display, creates a feeling of strange hospitality. A kind of passive-agressive relation that is reinforced by the light display on the ground floor of the exhibition.
La palabra, menos una aims to share the experience of this enigmatic language and question the possibility of archiving that experience in the body of the viewer who faces the exhibition space.